What We Do

AV and Technical Production

A Research Triangle Park software company demoing a live product on a booth screen has different AV needs than a general session speaker addressing a full room at the Raleigh Convention Center, and the equipment plan has to start from that distinction.

AV and Technical Production priorities

AV and technical production covers the equipment and signal chain that makes a demo, a presentation, or a booth video actually work reliably — screens, audio, signal routing, and the power to run all of it without interruption during the busiest hour of the show.

  1. Screen and audio equipment sized to the actual space — a booth demo zone or a full session room.
  2. Signal routing and redundancy planned so a single cable or connection failure does not drop the feed.
  3. Power load calculated for the full equipment stack rather than only the largest single component.
  4. A technician on site during show hours for live troubleshooting, beyond a simple drop-off and pickup.

Booth demos versus session production

A booth-level AV setup usually centers on one or two screens running a looped demo or a live product walkthrough, with audio kept low enough not to compete with neighboring booths. A general session setup at the Raleigh Convention Center scales up to stage screens, a full sound reinforcement system, and often a confidence monitor for the presenter.

We plan the equipment list against which of these two the client actually needs — sometimes both, if a company is running booth demos and also has a speaking slot at the same show.

Research Triangle Park exhibitors demonstrating software or lab equipment often need a screen resolution high enough to show detail up close, which changes the display spec compared to a booth screen meant to be read from twenty feet away across an aisle.

Signal chain and why redundancy matters

A dropped signal during a live product demo in front of a prospect is a worse outcome than the demo running a few minutes late, so we build redundancy into the signal chain — a backup cable run, a spare adapter, a secondary source where the budget allows — rather than a single point of failure setup.

For a general session with a live speaker, that redundancy matters even more, since a dropped feed in front of a full room is a visible, public failure.

Power planning for the full equipment stack

Screens, audio equipment, and any lighting on the same circuit all draw power, and we calculate the full load rather than checking only the largest single device. An underestimated power draw is one of the more common causes of an AV setup failing mid-show.

Power drops at the Raleigh Convention Center are ordered through the venue's electrical services, and that order needs to reflect the actual equipment list, not a rough guess made before the final gear list is set.

Having a technician on site, not equipment alone

Equipment that works perfectly in a test run can still have a problem on show day — a cable that works loose, a source device that needs a restart. A technician on site during show hours catches and fixes that in minutes rather than the booth going dark until someone can be reached.

For a general session, a technician backstage during the actual presentation is standard, not optional, given how visible a technical failure would be.

Frequently asked questions

Do you handle both booth AV and general session production?

Yes, we plan equipment separately for each — a booth demo setup and a full session production have very different scale and redundancy needs.

How is power calculated for an AV setup?

Against the full equipment stack on a given circuit rather than only the largest single device, since an underestimated load is a common cause of mid-show failures.

Is a technician on site during the actual show hours?

Yes, for both booth demos and session production, a technician on site can fix a live issue in minutes rather than leaving equipment down until someone is reached.

How do you order power for AV equipment at the Raleigh Convention Center?

Through the venue's electrical services, based on the final gear list rather than a rough estimate made before equipment is finalized.

Does a RTP company demoing software need a different screen than a standard booth display?

Often yes — a demo meant to be viewed up close needs higher resolution than a booth screen meant to be read from across an aisle, so we spec against actual viewing distance.