What We Do

Sponsorship Activation Production

A concourse sponsorship at Lenovo Center has a different sightline problem than a stage-side build at Red Hat Amphitheater.

Sponsorship Activation Production priorities

Sponsorship builds in an arena setting compete with concession lines, jersey retail, and concourse traffic for the same footprint, while an amphitheater build has to keep clear sightlines to the stage from every angle a fan might approach.

  1. Concourse sponsorship placement that doesn't block a Lenovo Center traffic path.
  2. Sightline checks for amphitheater builds so no structure blocks a paid seating section.
  3. Load-in scheduled around the venue's event calendar, not assumed to be open.

Sponsorship at an arena concourse

Lenovo Center's concourse handles heavy foot traffic during intermissions and between events, and a sponsorship activation placed without checking the traffic flow ends up either ignored or, worse, blocking a path fans need to reach concessions or restrooms.

Venue operations approve activation footprint and placement ahead of the event, and that approval process accounts for fire-code clearances that a generic booth layout doesn't automatically meet.

Sightlines at an amphitheater build

A sponsorship structure at Red Hat Amphitheater has to be checked against sightlines from every seating tier, since a build that looks fine from the production office can still block a paid section's view of the stage.

Height and footprint limits at an outdoor amphitheater are usually stricter near the stage and looser toward the lawn or back concourse, so activation placement gets matched to what each zone actually allows.

Load-in around the event calendar

Both venues run tight event calendars, and sponsorship load-in has to fit inside whatever window venue operations releases, which can mean an overnight build or a same-day setup depending on what else is scheduled that week.

A rigging plan is confirmed with the venue ahead of time for any structure requiring overhead points, since arena and amphitheater rigging capacity isn't unlimited and gets allocated across every vendor working the event.

Post-event teardown

Teardown at either venue runs against the same tight turnaround as load-in, with sponsorship elements struck and staged for pickup before the next event's crew needs the space.

Branding within a shared venue environment

A sponsor build shares the concourse or plaza with the home team's own branding, other sponsors, and the venue's permanent signage, so a new activation gets checked against that existing visual field rather than dropped in as if the space were blank.

Color and lighting choices for a sponsorship structure are reviewed against nearby fixed signage to avoid a build that reads as visually competing with, rather than complementing, the venue's own branded environment.

Working around the broadcast schedule

Events at Lenovo Center that carry a television or streaming broadcast set additional restrictions on sponsorship placement near camera positions and sideline access, and those restrictions get confirmed with the broadcast production team as a separate check from the standard venue approval.

A sponsorship element that's fine for a non-broadcast night can still need to move or be covered for a nationally broadcast game, so the plan accounts for which dates on the calendar carry that extra layer of review.

Frequently asked questions

How early does a sponsorship footprint need venue approval?

Several weeks ahead is standard for both Lenovo Center and Red Hat Amphitheater, since venue operations checks the layout against fire code and existing event infrastructure before granting placement.

Can a sponsorship structure block sightlines from any seating section?

No. Sightline checks from paid seating are part of the approval process, and a design that blocks a section's view of the stage gets sent back for revision before it's built.

Is overhead rigging available for sponsorship builds?

Sometimes, depending on the venue's existing rigging load for that event. Rigging capacity is shared across every vendor working the show, so a request has to be confirmed with venue operations rather than assumed available.

How much time is there for teardown after an event ends?

It varies by venue calendar, but turnaround is often tight, sometimes overnight, so teardown crews are scheduled and briefed before the event ends rather than assembled afterward.

Does a televised event change what's allowed for sponsorship placement?

Yes, broadcast production teams review sponsorship placement near camera positions separately from the venue's standard approval, and a structure allowed on a non-broadcast night may need to move or be covered for a televised game.

Can a sponsorship build be reused across multiple events at the same venue?

Often yes, if the structure is designed to be modular enough to fit different footprint approvals, though each individual event still needs its own placement and rigging sign-off rather than a blanket approval carried over from the last one.